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	<title>post-rock &#8211; RockShock</title>
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	<title>post-rock &#8211; RockShock</title>
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		<title>Fiesta Alba: recensione di Drops Of Sunshine In The City Of Spectres EP</title>
		<link>https://www.rockshock.it/fiesta-alba-recensione-di-drops-of-sunshine-in-the-city-of-spectres-ep/</link>
		
		<dc:creator><![CDATA[Marcello Berlich]]></dc:creator>
		<pubDate>Fri, 03 Jul 2026 04:57:53 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[avanguardia]]></category>
		<category><![CDATA[battles]]></category>
		<category><![CDATA[Drops Of Sunshine In The City Of Spectres]]></category>
		<category><![CDATA[Fiesta Alba]]></category>
		<category><![CDATA[king crimson]]></category>
		<category><![CDATA[math rock]]></category>
		<category><![CDATA[minimalismo]]></category>
		<category><![CDATA[musica africana]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[Pyrotechnic Babel]]></category>
		<category><![CDATA[Robert Fripp]]></category>
		<category><![CDATA[Slavoj Žižek]]></category>
		<category><![CDATA[Steve Reich]]></category>
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					<description><![CDATA[Drops Of Sunshine In The City Of Spectres è il terzo capitolo della vicenda musicale dei Fiesta Alba, di cui si sa solo che sono romani e poco altro. Cinque composizioni a cavallo tra avanguardia rock e minimalismo in uno sguardo sul presente che mescola nevrosi e speranza.]]></description>
		
		
		
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		<title>A. A. Williams: recensione di Solstice</title>
		<link>https://www.rockshock.it/a-a-williams-recensione-di-solstice/</link>
		
		<dc:creator><![CDATA[Andrea Musumeci]]></dc:creator>
		<pubDate>Sun, 21 Jun 2026 07:37:24 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[ambient goth]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[doomgaze]]></category>
		<category><![CDATA[dream-gaze]]></category>
		<category><![CDATA[gothic folk]]></category>
		<category><![CDATA[post metal]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[rockshock]]></category>
		<category><![CDATA[shoegaze]]></category>
		<category><![CDATA[slowcore]]></category>
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					<description><![CDATA[Nel giorno più lungo del calendario astronomico, il ciclo della luce entra nella sua fase discendente. Da questa prospettiva nasce Solstice, il nuovo album della cantautrice inglese A. A. Williams, con il quale raggiunge il suo apice artistico e si conferma come una delle voci più autorevoli del panorama goth-folk contemporaneo. ]]></description>
		
		
		
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		<title>Vanessa Van Basten: recensione di Yes</title>
		<link>https://www.rockshock.it/vanessa-van-basten-recensione-di-yes/</link>
		
		<dc:creator><![CDATA[Emiliano Romanelli]]></dc:creator>
		<pubDate>Thu, 14 May 2026 05:33:04 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[shoegaze]]></category>
		<category><![CDATA[sludge]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=104820</guid>

					<description><![CDATA[Tra sludge, shoegaze e visioni ambient: il ritorno dei Vanessa Van Basten è un viaggio nell’oscurità emotiva.]]></description>
		
		
		
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		<title>La Jungle: recensione di An Order Of Things</title>
		<link>https://www.rockshock.it/la-jungle-recensione-di-an-order-of-things/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Mon, 27 Apr 2026 05:03:21 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[kraut rock]]></category>
		<category><![CDATA[math rock]]></category>
		<category><![CDATA[noise-rock]]></category>
		<category><![CDATA[post-rock]]></category>
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					<description><![CDATA[La Jungle torna con An Order Of Things, settimo album della band belga con due batterie: nove tracce tra krautrock, trance e noise rock. ]]></description>
		
		
		
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		<title>Dear Company: recensione di Scratches</title>
		<link>https://www.rockshock.it/dear-company-recensione-di-scratches/</link>
		
		<dc:creator><![CDATA[Elisabetta Laurini]]></dc:creator>
		<pubDate>Wed, 08 Apr 2026 04:22:35 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[dreampop]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[shoegaze]]></category>
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					<description><![CDATA[Scratches, l'EP di debutto dei Dear Company, è un viaggio shoegaze e dark ambient tra memoria e inquietudine. Un duo romano da tenere d'occhio. ]]></description>
		
		
		
			</item>
		<item>
		<title>En route, boys: recensione disco omonimo</title>
		<link>https://www.rockshock.it/en-route-boys-recensione-disco-omonimo/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Wed, 01 Apr 2026 04:31:25 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[cosmic american music]]></category>
		<category><![CDATA[post-rock]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=104562</guid>

					<description><![CDATA[En route, boys, trio strumentale canadese, debutta con l'album omonimo per Groupe Fovéa: Cosmic American music canadese tra jazz ambientale, sintetizzatori modulari e chitarre sature di delay.]]></description>
		
		
		
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		<title>Silent Carnival: recensione di Liminal</title>
		<link>https://www.rockshock.it/silent-carnival-recensione-di-liminal/</link>
		
		<dc:creator><![CDATA[Federica Baglioni]]></dc:creator>
		<pubDate>Sat, 24 Jan 2026 06:08:28 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[blues]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[slowcore]]></category>
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					<description><![CDATA[Liminal, il ritorno di Marco Giambrone sotto lo pseudonimo Silent Carnival: un viaggio sonoro introspettivo dentro le esperienze intime e personali dell'autore.]]></description>
		
		
		
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		<title>Ulan Bator: recensione di Dark Times</title>
		<link>https://www.rockshock.it/ulan-bator-recensione-di-dark-times/</link>
		
		<dc:creator><![CDATA[Federica Baglioni]]></dc:creator>
		<pubDate>Thu, 08 Jan 2026 05:39:59 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[kraut rock]]></category>
		<category><![CDATA[noise-rock]]></category>
		<category><![CDATA[post-rock]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=103868</guid>

					<description><![CDATA[Gli Ulan Bator con Dark Times ci trascinano in un viaggio sonoro poetico, malinconico ed introspettivo verso un futuro luminoso e diverso.]]></description>
		
		
		
			</item>
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		<title>Oslo Tapes: recensione di Lăst Comet</title>
		<link>https://www.rockshock.it/oslo-tapes-recensione-di-last-comet/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Tue, 25 Nov 2025 05:52:05 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[kraut rock]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[psichedelia]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=103631</guid>

					<description><![CDATA[ Låst Comet degli Oslo Tapes: viaggio tra krautrock e avanguardia cosmica. Il nuovo album del collettivo di Marco Campitelli esplora suoni esoterici e sperimentazione rituale.]]></description>
		
		
		
			</item>
		<item>
		<title>Uno&#038;Mezzo: recensione di Anime Intossicate</title>
		<link>https://www.rockshock.it/unomezzo-recensione-di-anime-intossicate/</link>
		
		<dc:creator><![CDATA[Luca Paisiello]]></dc:creator>
		<pubDate>Mon, 21 Jul 2025 04:39:18 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[alternative rock]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[Uno&Mezzo]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=102952</guid>

					<description><![CDATA[Il duo milanese basso/batteria Uno&#038;Mezzo incide 10 brevi tracce strumentali post-rock.]]></description>
		
		
		
			</item>
		<item>
		<title>Calgolla: recensione di Iter</title>
		<link>https://www.rockshock.it/calgolla-recensione-di-iter/</link>
		
		<dc:creator><![CDATA[Marcello Berlich]]></dc:creator>
		<pubDate>Mon, 30 Jun 2025 04:39:04 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Iter]]></category>
		<category><![CDATA[post punk]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[psichedelia]]></category>
		<category><![CDATA[spoken word]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=102863</guid>

					<description><![CDATA[A cavallo tra post rock e psichedelia, Iter è il secondo lavoro della creatura sonora partorita da Emanuele Calì, in arte Calgolla; un percorso plurilingue in un paesaggio infuocato su un terreno scabro e accidentato.]]></description>
		
		
		
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		<title>Blessed Child Opera: recensione di Red Flags</title>
		<link>https://www.rockshock.it/blessed-child-opera-recensione-di-red-flags/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Fri, 23 May 2025 04:57:14 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[alternative]]></category>
		<category><![CDATA[elettronica]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[indie-folk]]></category>
		<category><![CDATA[post-rock]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=102704</guid>

					<description><![CDATA[La scena musicale contemporanea trova nei Blessed Child Opera un progetto che sfida le convenzioni, mantenendo una propria identità artistica ben definita. Il nuovo Red Flags arriva dopo 6 anni di silenzio, ma è valsa la pena aspettare.]]></description>
		
		
		
			</item>
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		<title>Corde Oblique: recensione di Cries and Whispers</title>
		<link>https://www.rockshock.it/corde-oblique-recensione-di-cries-and-whispers/</link>
		
		<dc:creator><![CDATA[Elisabetta Laurini]]></dc:creator>
		<pubDate>Sat, 05 Apr 2025 03:23:28 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[metal]]></category>
		<category><![CDATA[neofolk]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[shoegaze]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=102365</guid>

					<description><![CDATA[Dopo cinque anni di silenzio discografico i Corde Oblique tornano ad incantare il mondo con Cries and Whispers. Il nuovo album della formazione partenopea veleggia in un mix di post-rock, metal, shoegaze e neofolk.]]></description>
		
		
		
			</item>
		<item>
		<title>Tombstones In Their Eyes: recensione di Asylum Harbour</title>
		<link>https://www.rockshock.it/tombstones-in-their-eyes-recensione-di-asylum-harbour/</link>
		
		<dc:creator><![CDATA[Francesco Brunale]]></dc:creator>
		<pubDate>Fri, 14 Mar 2025 05:45:52 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[shoegaze]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=102094</guid>

					<description><![CDATA[I Tombstones In Their Eyes sono cresciuti a pane e psichedelia: Asylum Harbour ha un magnetismo di base che fa solo bene alle orecchie.]]></description>
		
		
		
			</item>
		<item>
		<title>Mogwai: recensione di The Bad Fire</title>
		<link>https://www.rockshock.it/mogwai-recensione-di-the-bad-fire/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Sat, 25 Jan 2025 08:05:14 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[post-rock]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=101792</guid>

					<description><![CDATA[Con The Bad Fire i Mogwai dimostrano che è ancora possibile innovare rimanendo fedeli alla propria essenza.]]></description>
		
		
		
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