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		<title>Big Truck, Midday At The Middleway: recensione del debutto di Laurie Vincent dei Soft Play</title>
		<link>https://www.rockshock.it/big-truck-midday-at-the-middleway-recensione-del-debutto-di-laurie-vincent-dei-soft-play/</link>
		
		<dc:creator><![CDATA[Federica Baglioni]]></dc:creator>
		<pubDate>Tue, 10 Nov 2026 06:58:30 +0000</pubDate>
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		<category><![CDATA[Big Truck]]></category>
		<category><![CDATA[Central Reservation Blues]]></category>
		<category><![CDATA[Collided]]></category>
		<category><![CDATA[indie pop]]></category>
		<category><![CDATA[Lady Bird]]></category>
		<category><![CDATA[Laurie Vincent]]></category>
		<category><![CDATA[Marshall Records]]></category>
		<category><![CDATA[Midday At The Middleway]]></category>
		<category><![CDATA[nuove uscite 2026]]></category>
		<category><![CDATA[post punk]]></category>
		<category><![CDATA[Rebounder]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[Sam Coppins]]></category>
		<category><![CDATA[Soft Play]]></category>
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					<description><![CDATA[Big Truck, il nuovo progetto di Laurie Vincent dei Soft Play, esordisce con Midday At The Middleway tra post-punk, pop e soul. La recensione.]]></description>
		
		
		
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		<title>Lalla Bertolini, Disco Inferno (My Libido): la recensione</title>
		<link>https://www.rockshock.it/lalla-bertolini-disco-inferno-my-libido-la-recensione/</link>
		
		<dc:creator><![CDATA[Marcello Berlich]]></dc:creator>
		<pubDate>Mon, 09 Nov 2026 05:30:11 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[ballate]]></category>
		<category><![CDATA[cantautorato]]></category>
		<category><![CDATA[cantautrice romana]]></category>
		<category><![CDATA[canzone d’autore]]></category>
		<category><![CDATA[de andrè]]></category>
		<category><![CDATA[Disco Inferno (My Libido)]]></category>
		<category><![CDATA[folk]]></category>
		<category><![CDATA[indie-folk]]></category>
		<category><![CDATA[Lalla Bertolini]]></category>
		<category><![CDATA[musica italiana]]></category>
		<category><![CDATA[New Model Label]]></category>
		<category><![CDATA[recensione]]></category>
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					<description><![CDATA[Disco Inferno conferma Lalla Bertolini come una delle voci più originali del cantautorato romano e non solo, con un disco in cui la tradizione e il folk trovano spesso derive sghembe con un'attitudine spesso teatrale.]]></description>
		
		
		
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		<title>Recensione The Church, Lacuna: il 28° album tra psichedelia e dream pop</title>
		<link>https://www.rockshock.it/recensione-the-church-lacuna-il-28-album-tra-psichedelia-e-dream-pop/</link>
		
		<dc:creator><![CDATA[Massimo Garofalo]]></dc:creator>
		<pubDate>Sun, 08 Nov 2026 06:47:57 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Ashley Naylor]]></category>
		<category><![CDATA[Cooking Vinyl]]></category>
		<category><![CDATA[dream-pop]]></category>
		<category><![CDATA[Ian Haug]]></category>
		<category><![CDATA[Lacuna]]></category>
		<category><![CDATA[neopsichedelia]]></category>
		<category><![CDATA[nuove uscite 2026]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[rock australiano]]></category>
		<category><![CDATA[rock psichedelico]]></category>
		<category><![CDATA[Starfish]]></category>
		<category><![CDATA[Steve Kilbey]]></category>
		<category><![CDATA[The Church]]></category>
		<category><![CDATA[The Hypnogogue]]></category>
		<category><![CDATA[Tim Powles]]></category>
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					<description><![CDATA[The Church tornano con Lacuna, 28° album in 17 brani registrato ad Austin: psichedelia, dream pop e una sorprendente deviazione country. La recensione.]]></description>
		
		
		
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		<title>Shoegaze da stadio contro il capitalismo: i DIIV firmano ZIRP!</title>
		<link>https://www.rockshock.it/shoegaze-da-stadio-contro-il-capitalismo-i-diiv-firmano-zirp/</link>
		
		<dc:creator><![CDATA[Massimo Garofalo]]></dc:creator>
		<pubDate>Sat, 07 Nov 2026 05:08:12 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[A. G. Cook]]></category>
		<category><![CDATA[Diiv]]></category>
		<category><![CDATA[shoegaze]]></category>
		<category><![CDATA[Zachary Cole Smith]]></category>
		<category><![CDATA[ZIRP!]]></category>
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					<description><![CDATA[Recensione di ZIRP!, quinto album dei DIIV prodotto da A. G. Cook: lo shoegaze della band si apre al pop e punta il dito contro il capitalismo tecnologico.]]></description>
		
		
		
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		<title>The Hornets, Lonely At The Bottom: un’iniezione di rhythm’n’blues e rock’n’roll per ballare sulla solitudine</title>
		<link>https://www.rockshock.it/the-hornets-lonely-at-the-bottom-uniniezione-di-rhythmnblues-e-rocknroll-per-ballare-sulla-solitudine/</link>
		
		<dc:creator><![CDATA[Andrea Musumeci]]></dc:creator>
		<pubDate>Fri, 06 Nov 2026 05:15:02 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[beat]]></category>
		<category><![CDATA[boogie rock]]></category>
		<category><![CDATA[brit rock]]></category>
		<category><![CDATA[garage]]></category>
		<category><![CDATA[jangle]]></category>
		<category><![CDATA[mod]]></category>
		<category><![CDATA[recensione album]]></category>
		<category><![CDATA[rhytm & blues]]></category>
		<category><![CDATA[rock and roll]]></category>
		<category><![CDATA[rock blues]]></category>
		<category><![CDATA[rockshock]]></category>
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					<description><![CDATA[Con il nuovo album Lonely At The Bottom gli inglesi The Hornets rimettono in circolo suoni e atmosfere dagli intensi riflessi vintage, mescolando esuberante rhythm'n'blues, rock'n'roll viscerale e garage beat sferzante. ]]></description>
		
		
		
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		<title>Klimt 1918 – Àmor: dieci anni di silenzio, poi l&#8217;incendio</title>
		<link>https://www.rockshock.it/klimt-1918-amor-dieci-anni-di-silenzio-poi-lincendio/</link>
		
		<dc:creator><![CDATA[Massimo Garofalo]]></dc:creator>
		<pubDate>Wed, 04 Nov 2026 05:46:21 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Àmor]]></category>
		<category><![CDATA[Klimt 1918]]></category>
		<category><![CDATA[post rock italiano]]></category>
		<category><![CDATA[Prophecy Productions]]></category>
		<category><![CDATA[shoegaze]]></category>
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					<description><![CDATA[I Klimt 1918 tornano dopo dieci anni con Àmor: shoegaze e post-rock tra carnalità e malinconia romana. La recensione del quinto album su RockShock.]]></description>
		
		
		
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		<title>Utopia, Spleen: recensione dell’album d’esordio pop punk di Samuele Galato</title>
		<link>https://www.rockshock.it/utopia-spleen-recensione-dellalbum-desordio-pop-punk-di-samuele-galato/</link>
		
		<dc:creator><![CDATA[Massimo Garofalo]]></dc:creator>
		<pubDate>Mon, 02 Nov 2026 05:26:48 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Gotha Music]]></category>
		<category><![CDATA[pop-punk]]></category>
		<category><![CDATA[Samuele Galato]]></category>
		<category><![CDATA[Spleen]]></category>
		<category><![CDATA[Utopia]]></category>
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					<description><![CDATA[Utopia esordisce con Spleen, nove brani tra pop punk, alternative rock ed elettronica sul disagio di una generazione. La recensione su RockShock.]]></description>
		
		
		
			</item>
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		<title>Editors, ritorno in sala prove: con Surface, Echo &#038; Sound rinascono le chitarre</title>
		<link>https://www.rockshock.it/editors-ritorno-in-sala-prove-con-surface-echo-sound-rinascono-le-chitarre/</link>
		
		<dc:creator><![CDATA[Massimo Garofalo]]></dc:creator>
		<pubDate>Sun, 01 Nov 2026 05:51:37 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[alternative rock]]></category>
		<category><![CDATA[editors]]></category>
		<category><![CDATA[indie rock]]></category>
		<category><![CDATA[Play It Again Sam]]></category>
		<category><![CDATA[post punk]]></category>
		<category><![CDATA[Surface Echo & Sound]]></category>
		<category><![CDATA[Tom Smith]]></category>
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					<description><![CDATA[Recensione di Surface, Echo &#038; Sound, ottavo album degli Editors: dopo EBM la band torna in sala prove e ritrova chitarre, mandolino e calore melodico.]]></description>
		
		
		
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		<title>Addio deserto? Con Perfecth i Queens of the Stone Age cambiano pelle</title>
		<link>https://www.rockshock.it/addio-deserto-con-perfecth-i-queens-of-the-stone-age-cambiano-pelle/</link>
		
		<dc:creator><![CDATA[Massimo Garofalo]]></dc:creator>
		<pubDate>Sat, 31 Oct 2026 05:39:38 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[josh homme]]></category>
		<category><![CDATA[Matador Records]]></category>
		<category><![CDATA[Perfecth]]></category>
		<category><![CDATA[queens of the stone age]]></category>
		<category><![CDATA[rock alternativo]]></category>
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					<description><![CDATA[Recensione di Perfecth, nono album dei Queens of the Stone Age: Josh Homme mette da parte la furia per un disco intimo, malinconico e pieno di sorprese.]]></description>
		
		
		
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		<title>Harrison Gordon, Bliss: recensione del secondo album tra punk ed emo dall’Illinois</title>
		<link>https://www.rockshock.it/harrison-gordon-bliss-recensione-del-secondo-album-tra-punk-ed-emo-dallillinois/</link>
		
		<dc:creator><![CDATA[Simona Fusetta]]></dc:creator>
		<pubDate>Fri, 30 Oct 2026 05:07:55 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[emo]]></category>
		<category><![CDATA[indie rock]]></category>
		<category><![CDATA[post punk]]></category>
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					<description><![CDATA[Con il loro secondo album, gli Harrison Gordon mirano a riconfermare la loro solida reputazione di band punk/rock che porta in primo piano l’emotività e la trasforma in un rituale collettivo.]]></description>
		
		
		
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