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	<title>Recensioni Cd &#8211; RockShock</title>
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	<title>Recensioni Cd &#8211; RockShock</title>
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		<title>DMA’S: recensione disco omonimo</title>
		<link>https://www.rockshock.it/dmas-recensione-disco-omonimo/</link>
		
		<dc:creator><![CDATA[Emiliano Romanelli]]></dc:creator>
		<pubDate>Sat, 05 Sep 2026 05:12:56 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[alternative]]></category>
		<category><![CDATA[britpop]]></category>
		<category><![CDATA[indie]]></category>
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					<description><![CDATA[Un ritorno solido ma non rivoluzionario: i DMA’S riaffermano la loro identità indie‑rock senza spingersi oltre i confini del già collaudato.]]></description>
		
		
		
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		<title>Chiron: recensione di A Dark Beauty</title>
		<link>https://www.rockshock.it/chiron-recensione-di-a-dark-beauty/</link>
		
		<dc:creator><![CDATA[Elisabetta Laurini]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 04:54:39 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Darkwave]]></category>
		<category><![CDATA[post punk]]></category>
		<category><![CDATA[progressive]]></category>
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					<description><![CDATA[A Dark Beauty è il nuovo album dei Chiron. La band australiana torna con un'audace evoluzione del proprio sound, dalle origini darkwave tinte di gothic rock alla proiezione verso territori progressive metal e metal moderno.]]></description>
		
		
		
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		<title>Puro Veneno: recensione di Non è mai troppo tardi</title>
		<link>https://www.rockshock.it/puro-veneno-recensione-di-non-e-mai-troppo-tardi/</link>
		
		<dc:creator><![CDATA[Simona Fusetta]]></dc:creator>
		<pubDate>Thu, 03 Sep 2026 05:00:22 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[alternative rock]]></category>
		<category><![CDATA[indie rock]]></category>
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					<description><![CDATA[Il secondo album della band ferrarese Puro Veneno è un ritorno alle origini musicali ed emotive, caratterizzato da sonorità e liriche crude e dirette.]]></description>
		
		
		
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		<item>
		<title>Antipole &#038; Pedro Code: recensione di Future Echoes</title>
		<link>https://www.rockshock.it/antipole-pedro-code-recensione-di-future-echoes/</link>
		
		<dc:creator><![CDATA[Elisabetta Laurini]]></dc:creator>
		<pubDate>Wed, 02 Sep 2026 05:18:39 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Darkwave]]></category>
		<category><![CDATA[post punk]]></category>
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					<description><![CDATA[Antipole e Pedro Code (IAMTHESHADOW) sfornano un disco di incredibile bellezza. Future Echoes fonde ed amplifica alla massima potenza il talento di due artisti stellari.]]></description>
		
		
		
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		<title>Gee Whiz: recensione di How To Manage a Crisis</title>
		<link>https://www.rockshock.it/recensione-gee-whiz-how-to-manage-a-crisis/</link>
		
		<dc:creator><![CDATA[Luca Paisiello]]></dc:creator>
		<pubDate>Tue, 01 Sep 2026 05:34:51 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[garage]]></category>
		<category><![CDATA[gee whiz]]></category>
		<category><![CDATA[indie rock]]></category>
		<category><![CDATA[psychedelic rock]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105242</guid>

					<description><![CDATA[Metti insieme un po’ di musicisti provenienti dall’area indie rock nostrana e ne esce un disco che galleggia tra garage, psichedelia, brit rock: si tratta di How To Manage a Crisis dei Gee Whiz.]]></description>
		
		
		
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		<title>Marco Fracasia: recensione di 4321 Hz</title>
		<link>https://www.rockshock.it/marco-fracasia-recensione-di-4321-hz/</link>
		
		<dc:creator><![CDATA[Simona Fusetta]]></dc:creator>
		<pubDate>Mon, 31 Aug 2026 05:01:55 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[canzone d'autore]]></category>
		<category><![CDATA[dream-pop]]></category>
		<category><![CDATA[elettronica]]></category>
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					<description><![CDATA[Dopo due EP, Marco Fracasia dà alle stampe un album apparentemente ‘schizofrenico’, in bilico tra dream pop, elettronica e canzone d’autore.]]></description>
		
		
		
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		<title>John Carpenter: recensione di Cathedral</title>
		<link>https://www.rockshock.it/john-carpenter-recensione-di-cathedral/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Sun, 30 Aug 2026 04:42:55 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Bernard Herrmann]]></category>
		<category><![CDATA[Cathedral]]></category>
		<category><![CDATA[Cody Carpenter]]></category>
		<category><![CDATA[colonne sonore horror]]></category>
		<category><![CDATA[Daniel Davies]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[Dave Davies]]></category>
		<category><![CDATA[Goblin]]></category>
		<category><![CDATA[gothic metal]]></category>
		<category><![CDATA[heavy metal]]></category>
		<category><![CDATA[john carpenter]]></category>
		<category><![CDATA[John Spiker]]></category>
		<category><![CDATA[Lost Themes]]></category>
		<category><![CDATA[musica per immagini]]></category>
		<category><![CDATA[recensioni album 2026]]></category>
		<category><![CDATA[romanzo grafico]]></category>
		<category><![CDATA[Sacred Bones Records]]></category>
		<category><![CDATA[Sandy King]]></category>
		<category><![CDATA[Scott Seiver]]></category>
		<category><![CDATA[soundtrack]]></category>
		<category><![CDATA[Storm King Comics]]></category>
		<category><![CDATA[synth horror]]></category>
		<category><![CDATA[Tangerine Dream]]></category>
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					<description><![CDATA[Recensione di Cathedral, il nuovo album di John Carpenter con Cody Carpenter e Daniel Davies uscito il 7 agosto 2026 per Sacred Bones: quattordici brani tra heavy metal, organo gotico e sintetizzatori, colonna sonora del primo romanzo grafico del regista.]]></description>
		
		
		
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		<title>Kiwi Jr.: recensione di Blowin&#8217; Up</title>
		<link>https://www.rockshock.it/kiwi-jr-recensione-di-blowin-up/</link>
		
		<dc:creator><![CDATA[Andrea Musumeci]]></dc:creator>
		<pubDate>Sat, 29 Aug 2026 05:10:52 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[boogie rock]]></category>
		<category><![CDATA[brit-pop]]></category>
		<category><![CDATA[folk]]></category>
		<category><![CDATA[garage rock]]></category>
		<category><![CDATA[indie rock]]></category>
		<category><![CDATA[jangle]]></category>
		<category><![CDATA[new wave]]></category>
		<category><![CDATA[post punk]]></category>
		<category><![CDATA[power pop]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[rockshock]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105226</guid>

					<description><![CDATA[Sarà Blowin’ Up l'album dell'esplosione discografica dei Kiwi Jr.? In questo comeback, la band canadese alterna jangle-pop, ritmiche accattivanti, melodie sgargianti, garage rock, post-punk e new wave, raccontando le ansie quotidiane e la malinconia dell'età che avanza con un velo di ironia e leggerezza.]]></description>
		
		
		
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		<title>Mouth Ulcers: recensione di Silent Pictures</title>
		<link>https://www.rockshock.it/mouth-ulcers-recensione-di-silent-pictures/</link>
		
		<dc:creator><![CDATA[Elisabetta Laurini]]></dc:creator>
		<pubDate>Fri, 28 Aug 2026 04:47:12 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Darkwave]]></category>
		<category><![CDATA[goth rock]]></category>
		<category><![CDATA[post punk]]></category>
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					<description><![CDATA[Silent Pictures è l’incredibile debut EP dei Mouth Ulcers. London calling, aprite le vostre orecchie.]]></description>
		
		
		
			</item>
		<item>
		<title>Ian Prowse: recensione di No Names</title>
		<link>https://www.rockshock.it/ian-prowse-recensione-di-no-names/</link>
		
		<dc:creator><![CDATA[Andrea Musumeci]]></dc:creator>
		<pubDate>Thu, 27 Aug 2026 05:06:57 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[brit-pop]]></category>
		<category><![CDATA[combat folk]]></category>
		<category><![CDATA[country]]></category>
		<category><![CDATA[jangle]]></category>
		<category><![CDATA[recensione]]></category>
		<category><![CDATA[rockshock]]></category>
		<category><![CDATA[soul]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105209</guid>

					<description><![CDATA[Con il nuovo album No Names, Ian Prowse torna a raccontare le storie di chi spesso viene lasciato ai margini del racconto pubblico, attraverso un elegante mix di brit folk, anima irlandese, jangly-rock e soul statunitense. ]]></description>
		
		
		
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		<title>Johnny Freak: recensione di In Vita</title>
		<link>https://www.rockshock.it/recensione-johnny-freak-in-vita/</link>
		
		<dc:creator><![CDATA[Luca Paisiello]]></dc:creator>
		<pubDate>Wed, 26 Aug 2026 05:18:29 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[alternative rock]]></category>
		<category><![CDATA[indie rock]]></category>
		<category><![CDATA[Johnny Freak]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105189</guid>

					<description><![CDATA[Un album di rock lirico quello dei Johnny Freak, che sottolinea l’incapacità di piegarsi ai dettami dello star business e al conformismo imposto dai tempi moderni. ]]></description>
		
		
		
			</item>
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		<title>Romeo: recensione di Deja Vu Letters</title>
		<link>https://www.rockshock.it/romeo-recensione-di-deja-vu-letters/</link>
		
		<dc:creator><![CDATA[Paolo Fistaroli]]></dc:creator>
		<pubDate>Wed, 26 Aug 2026 04:58:33 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[hard rock]]></category>
		<category><![CDATA[rock 'n' roll]]></category>
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					<description><![CDATA[Un debutto elegante, viscerale e coerente: i Romeo mischiano power pop, glam e hard rock in un immaginario retrò che unisce musica e quotidiano, dando vita a un disco fresco, credibile e dalla forte identità.
]]></description>
		
		
		
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		<title>GTO: recensione di Boomer</title>
		<link>https://www.rockshock.it/gto-recensione-di-boomer/</link>
		
		<dc:creator><![CDATA[Marcello Berlich]]></dc:creator>
		<pubDate>Tue, 25 Aug 2026 05:01:15 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Arezzo Wave]]></category>
		<category><![CDATA[Boomer]]></category>
		<category><![CDATA[Gogol Bordello]]></category>
		<category><![CDATA[gto]]></category>
		<category><![CDATA[ligabue]]></category>
		<category><![CDATA[Modena City Ramblers]]></category>
		<category><![CDATA[Music Force]]></category>
		<category><![CDATA[negrita]]></category>
		<category><![CDATA[pop]]></category>
		<category><![CDATA[Robert Johnson]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[Vasco Rossi]]></category>
		<category><![CDATA[Willie DeVille]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105205</guid>

					<description><![CDATA[In giro da oltre trent'anni, trascorsi in gran parte lontani dai riflettori, i GTO tornano con Boomer a offrire il loro rock che guarda un po' al di là e un po' al di qua dell'oceano, senza eccessi e con una certa dose di divertimento.]]></description>
		
		
		
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		<title>P.A.O. (Pulsazioni d’Anime Oneste): recensione di Le Radici e la Luna</title>
		<link>https://www.rockshock.it/recensione-p-a-o-pulsazioni-danime-oneste-le-radici-e-la-luna/</link>
		
		<dc:creator><![CDATA[Luca Paisiello]]></dc:creator>
		<pubDate>Mon, 24 Aug 2026 05:13:23 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[24 Grana]]></category>
		<category><![CDATA[alternative rock]]></category>
		<category><![CDATA[canzone d'autore]]></category>
		<category><![CDATA[Cristiano Godano]]></category>
		<category><![CDATA[csi]]></category>
		<category><![CDATA[Elettrojoice]]></category>
		<category><![CDATA[Estra]]></category>
		<category><![CDATA[filippo gatti]]></category>
		<category><![CDATA[Francesco Di Bella]]></category>
		<category><![CDATA[Giulio Casale]]></category>
		<category><![CDATA[indie rock]]></category>
		<category><![CDATA[Marlene Kuntz]]></category>
		<category><![CDATA[negrita]]></category>
		<category><![CDATA[P.A.O.]]></category>
		<category><![CDATA[paolo benvegnù]]></category>
		<category><![CDATA[Perturbazione]]></category>
		<category><![CDATA[scisma]]></category>
		<category><![CDATA[Tommaso Cerasuolo]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105193</guid>

					<description><![CDATA[P.A.O. (Pulsazioni d’Anime Oneste): una rivisitazione della musica alternativa italiana da parte di due musicisti che creano una sinergia con altri importanti artisti dei nostri anni '90. ]]></description>
		
		
		
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		<title>Grandmas House: recensione di You&#8217;re a Winner</title>
		<link>https://www.rockshock.it/grandmas-house-recensione-di-youre-a-winner/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Sun, 23 Aug 2026 05:00:28 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Ali Chant]]></category>
		<category><![CDATA[alternative]]></category>
		<category><![CDATA[alternative rock]]></category>
		<category><![CDATA[Baby You're A Winner]]></category>
		<category><![CDATA[Brace Yourself Records]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[esordi 2026]]></category>
		<category><![CDATA[Fat Dog]]></category>
		<category><![CDATA[Grandmas House]]></category>
		<category><![CDATA[grunge]]></category>
		<category><![CDATA[indie rock]]></category>
		<category><![CDATA[Morgan Wallace]]></category>
		<category><![CDATA[musica britannica]]></category>
		<category><![CDATA[noise-rock]]></category>
		<category><![CDATA[Polly Jessett]]></category>
		<category><![CDATA[Poppy Dodgson]]></category>
		<category><![CDATA[post punk]]></category>
		<category><![CDATA[post-grunge]]></category>
		<category><![CDATA[recensioni album 2026]]></category>
		<category><![CDATA[The Playpen]]></category>
		<category><![CDATA[Yasmin Berndt]]></category>
		<category><![CDATA[Zoë Zinsmeister]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105255</guid>

					<description><![CDATA[Grandmas House, Baby You're A Winner: il debutto di Bristol che fa convivere rabbia e tenerezza.]]></description>
		
		
		
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