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	<title>Garofalo Massimo &#8211; RockShock</title>
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	<title>Garofalo Massimo &#8211; RockShock</title>
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		<title>Berlin &#8211; Rom Express 2026: Alva Noto, Moritz von Oswald e Marylou Guerra a Villa Massimo</title>
		<link>https://www.rockshock.it/berlin-rom-express-2026-alva-noto-moritz-von-oswald-e-marylou-guerra-a-villa-massimo/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Sat, 19 Sep 2026 08:44:17 +0000</pubDate>
				<category><![CDATA[Live Report]]></category>
		<category><![CDATA[Accademia Tedesca Roma]]></category>
		<category><![CDATA[Alva Noto]]></category>
		<category><![CDATA[Alvalou]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[Basic Channel]]></category>
		<category><![CDATA[Berlin Rom Express 2026]]></category>
		<category><![CDATA[Carsten Nicolai]]></category>
		<category><![CDATA[concerti Roma 2026]]></category>
		<category><![CDATA[dub techno]]></category>
		<category><![CDATA[Marylou Guerra]]></category>
		<category><![CDATA[Moritz von Oswald]]></category>
		<category><![CDATA[musica elettronica]]></category>
		<category><![CDATA[techno]]></category>
		<category><![CDATA[villa massimo]]></category>
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					<description><![CDATA[Berlin - Rom Express 2026 all'Accademia Tedesca Villa Massimo di Roma: il live report della serata con Alva Noto, Moritz von Oswald e Marylou Guerra, tra ambient, dub e techno.]]></description>
		
		
		
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		<title>John Carpenter: recensione di Cathedral</title>
		<link>https://www.rockshock.it/john-carpenter-recensione-di-cathedral/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Sun, 30 Aug 2026 04:42:55 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Bernard Herrmann]]></category>
		<category><![CDATA[Cathedral]]></category>
		<category><![CDATA[Cody Carpenter]]></category>
		<category><![CDATA[colonne sonore horror]]></category>
		<category><![CDATA[Daniel Davies]]></category>
		<category><![CDATA[dark]]></category>
		<category><![CDATA[Dave Davies]]></category>
		<category><![CDATA[Goblin]]></category>
		<category><![CDATA[gothic metal]]></category>
		<category><![CDATA[heavy metal]]></category>
		<category><![CDATA[john carpenter]]></category>
		<category><![CDATA[John Spiker]]></category>
		<category><![CDATA[Lost Themes]]></category>
		<category><![CDATA[musica per immagini]]></category>
		<category><![CDATA[recensioni album 2026]]></category>
		<category><![CDATA[romanzo grafico]]></category>
		<category><![CDATA[Sacred Bones Records]]></category>
		<category><![CDATA[Sandy King]]></category>
		<category><![CDATA[Scott Seiver]]></category>
		<category><![CDATA[soundtrack]]></category>
		<category><![CDATA[Storm King Comics]]></category>
		<category><![CDATA[synth horror]]></category>
		<category><![CDATA[Tangerine Dream]]></category>
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					<description><![CDATA[Recensione di Cathedral, il nuovo album di John Carpenter con Cody Carpenter e Daniel Davies uscito il 7 agosto 2026 per Sacred Bones: quattordici brani tra heavy metal, organo gotico e sintetizzatori, colonna sonora del primo romanzo grafico del regista.]]></description>
		
		
		
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		<title>Grandmas House: recensione di You&#8217;re a Winner</title>
		<link>https://www.rockshock.it/grandmas-house-recensione-di-youre-a-winner/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Sun, 23 Aug 2026 05:00:28 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Ali Chant]]></category>
		<category><![CDATA[alternative]]></category>
		<category><![CDATA[alternative rock]]></category>
		<category><![CDATA[Baby You're A Winner]]></category>
		<category><![CDATA[Brace Yourself Records]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[esordi 2026]]></category>
		<category><![CDATA[Fat Dog]]></category>
		<category><![CDATA[Grandmas House]]></category>
		<category><![CDATA[grunge]]></category>
		<category><![CDATA[indie rock]]></category>
		<category><![CDATA[Morgan Wallace]]></category>
		<category><![CDATA[musica britannica]]></category>
		<category><![CDATA[noise-rock]]></category>
		<category><![CDATA[Polly Jessett]]></category>
		<category><![CDATA[Poppy Dodgson]]></category>
		<category><![CDATA[post punk]]></category>
		<category><![CDATA[post-grunge]]></category>
		<category><![CDATA[recensioni album 2026]]></category>
		<category><![CDATA[The Playpen]]></category>
		<category><![CDATA[Yasmin Berndt]]></category>
		<category><![CDATA[Zoë Zinsmeister]]></category>
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					<description><![CDATA[Grandmas House, Baby You're A Winner: il debutto di Bristol che fa convivere rabbia e tenerezza.]]></description>
		
		
		
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		<title>Quicksand: recensione di Bring On The Psychics</title>
		<link>https://www.rockshock.it/quicksand-recensione-di-bring-on-the-psychics/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Fri, 21 Aug 2026 04:25:26 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Alan Cage]]></category>
		<category><![CDATA[alternative rock]]></category>
		<category><![CDATA[anni 90]]></category>
		<category><![CDATA[Bring On The Psychics]]></category>
		<category><![CDATA[Equal Vision Records]]></category>
		<category><![CDATA[hardcore]]></category>
		<category><![CDATA[Jon Markson]]></category>
		<category><![CDATA[post-hardcore]]></category>
		<category><![CDATA[Quicksand]]></category>
		<category><![CDATA[recensione album]]></category>
		<category><![CDATA[rockshock]]></category>
		<category><![CDATA[Rude Records]]></category>
		<category><![CDATA[Sergio Vega]]></category>
		<category><![CDATA[Walter Schreifels]]></category>
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					<description><![CDATA[Recensione di Bring On The Psychics, il nuovo album dei Quicksand: dieci tracce tra hardcore, post-hardcore e memoria, prodotte da Jon Markson.]]></description>
		
		
		
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		<title>The Joy Thieves: recensione di Apocalypse Pending</title>
		<link>https://www.rockshock.it/the-joy-thieves-recensione-di-apocalypse-pending/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Wed, 19 Aug 2026 04:11:52 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Apocalypse Pending]]></category>
		<category><![CDATA[Armalyte Industries]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[Chris Connelly]]></category>
		<category><![CDATA[Dan Milligan]]></category>
		<category><![CDATA[Darkwave]]></category>
		<category><![CDATA[hip-hop]]></category>
		<category><![CDATA[industrial rock]]></category>
		<category><![CDATA[James Scott]]></category>
		<category><![CDATA[Joy Thieves Productions]]></category>
		<category><![CDATA[killing joke]]></category>
		<category><![CDATA[ministry]]></category>
		<category><![CDATA[musica industrial]]></category>
		<category><![CDATA[Nine Inch Nails]]></category>
		<category><![CDATA[Pigface]]></category>
		<category><![CDATA[punk]]></category>
		<category><![CDATA[recensioni album 2026]]></category>
		<category><![CDATA[The Joy Thieves]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105177</guid>

					<description><![CDATA[Recensione di Apocalypse Pending, il nuovo album di The Joy Thieves con Chris Connelly: industrial, punk e hip hop tra Chicago e Armalyte Industries.]]></description>
		
		
		
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		<title>Serguei Spoutnik: recensione di Trascend</title>
		<link>https://www.rockshock.it/serguei-spoutnik-recensione-di-trascend/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Thu, 13 Aug 2026 04:56:53 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Damien Lecoq]]></category>
		<category><![CDATA[Darkwave]]></category>
		<category><![CDATA[downtempo]]></category>
		<category><![CDATA[dream-pop]]></category>
		<category><![CDATA[Independent Practice]]></category>
		<category><![CDATA[Le Mans]]></category>
		<category><![CDATA[musica queer]]></category>
		<category><![CDATA[QDRPD]]></category>
		<category><![CDATA[recensioni album 2026]]></category>
		<category><![CDATA[Reykjavík]]></category>
		<category><![CDATA[Santé Records]]></category>
		<category><![CDATA[Serguei Spoutnik]]></category>
		<category><![CDATA[Transcend]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105172</guid>

					<description><![CDATA[Recensione di Transcend, il nuovo album di Serguei Spoutnik: dream pop, darkwave e ambient tra Reykjavík e Le Mans. Scopri tracklist, produzione e influenze.]]></description>
		
		
		
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		<title>Mary in the Junkyard: recensione di Role Model Hermit</title>
		<link>https://www.rockshock.it/mary-in-the-junkyard-recensione-di-role-model-hermit/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Tue, 11 Aug 2026 04:38:09 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[AMF Records]]></category>
		<category><![CDATA[art-rock]]></category>
		<category><![CDATA[Ben Baptie]]></category>
		<category><![CDATA[debut album 2026]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[indie rock britannico]]></category>
		<category><![CDATA[Mary in the Junkyard]]></category>
		<category><![CDATA[musica indipendente]]></category>
		<category><![CDATA[Oli Bayston]]></category>
		<category><![CDATA[recensione album]]></category>
		<category><![CDATA[rock alternativo]]></category>
		<category><![CDATA[Role Model Hermit]]></category>
		<category><![CDATA[windmill scene]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105167</guid>

					<description><![CDATA[Recensione di Role Model Hermit, il debutto di Mary in the Junkyard è un album indie rock tra i più originali del 2026.]]></description>
		
		
		
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		<title>Jérémie Ternoy: recensione di Ça commence par la marche</title>
		<link>https://www.rockshock.it/jeremie-ternoy-recensione-di-ca-commence-par-la-marche/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Mon, 27 Jul 2026 04:50:07 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Ça commence par la marche]]></category>
		<category><![CDATA[Circum Disc]]></category>
		<category><![CDATA[jazz contemporaneo]]></category>
		<category><![CDATA[Jérémie Ternoy]]></category>
		<category><![CDATA[Magma]]></category>
		<category><![CDATA[musica ripetitiva]]></category>
		<category><![CDATA[Organik Orkeztra]]></category>
		<category><![CDATA[recensione album 2026]]></category>
		<category><![CDATA[Sakina Abdou]]></category>
		<category><![CDATA[TOC]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105117</guid>

					<description><![CDATA[Recensione di Ça commence par la marche, il nuovo album di Jérémie Ternoy: un'opera costruita attorno a un unico motivo di tredici note.]]></description>
		
		
		
			</item>
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		<title>Maniac Maison: recensione disco omonimo</title>
		<link>https://www.rockshock.it/maniac-maison-recensione-disco-omonimo/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Fri, 24 Jul 2026 05:06:06 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[avant-pop]]></category>
		<category><![CDATA[Bruxelles]]></category>
		<category><![CDATA[Casimir Liberski]]></category>
		<category><![CDATA[Humpty Dumpty Records]]></category>
		<category><![CDATA[Lucien Fraipont]]></category>
		<category><![CDATA[Maniac Maison]]></category>
		<category><![CDATA[recensione album 2026]]></category>
		<category><![CDATA[Robbing Millions]]></category>
		<category><![CDATA[Shoko Igarashi]]></category>
		<category><![CDATA[synth pop]]></category>
		<category><![CDATA[Telex]]></category>
		<category><![CDATA[Yellow Magic Orchestra]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105112</guid>

					<description><![CDATA[Recensione di Maniac Maison, disco d'esordio del trio belga uscito il 22 maggio 2026 per Humpty Dumpty Records. Tra avant pop, synth e influenze jazz.]]></description>
		
		
		
			</item>
		<item>
		<title>Palomar: recensione disco omonimo</title>
		<link>https://www.rockshock.it/palomar-recensione-disco-omonimo/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Wed, 22 Jul 2026 04:54:42 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[avant-jazz]]></category>
		<category><![CDATA[calibro 35]]></category>
		<category><![CDATA[CaraCaraCara]]></category>
		<category><![CDATA[Caroline]]></category>
		<category><![CDATA[Hora Records]]></category>
		<category><![CDATA[indie rock italiano]]></category>
		<category><![CDATA[Marco Giudici]]></category>
		<category><![CDATA[Palomar]]></category>
		<category><![CDATA[post-rock]]></category>
		<category><![CDATA[recensione album 2026]]></category>
		<category><![CDATA[sguardo da bambino]]></category>
		<category><![CDATA[Siena]]></category>
		<category><![CDATA[sigur ros]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105105</guid>

					<description><![CDATA[Nasce quasi per caso a Siena, cresce tra improvvisazione e ascolto reciproco, e diventa uno degli esordi più interessanti del 2026. I Palomar pubblicano il loro primo disco, omonimo.]]></description>
		
		
		
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		<title>Tristan da Cunha: recensione di Maris Stella</title>
		<link>https://www.rockshock.it/tristan-da-cunha-recensione-di-maris-stella/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Mon, 20 Jul 2026 04:39:51 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[Arvo Pärt]]></category>
		<category><![CDATA[Boring Machines]]></category>
		<category><![CDATA[Francesco Vara]]></category>
		<category><![CDATA[Godspeed You! Black Emperor]]></category>
		<category><![CDATA[isolazionismo]]></category>
		<category><![CDATA[Luca Scotti]]></category>
		<category><![CDATA[Maris Stella]]></category>
		<category><![CDATA[musica neoclassica]]></category>
		<category><![CDATA[musica sperimentale italiana]]></category>
		<category><![CDATA[Nicolò Vara]]></category>
		<category><![CDATA[post drone]]></category>
		<category><![CDATA[post rock italiano]]></category>
		<category><![CDATA[recensioni RockShock]]></category>
		<category><![CDATA[Tristan da Cunha]]></category>
		<category><![CDATA[viola]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105102</guid>

					<description><![CDATA[Tristan da Cunha, Maris Stella: la recensione dell'album per Boring Machines. Post drone, viola e liturgia laica dell'isolamento nel nuovo disco del trio pavese.]]></description>
		
		
		
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		<title>BBCC: recensione di King Michael Il and the Trial of the Axe</title>
		<link>https://www.rockshock.it/bbcc-recensione-di-king-michael-il-and-the-trial-of-the-axe/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Tue, 07 Jul 2026 04:54:01 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[avant-pop]]></category>
		<category><![CDATA[avant-rock]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=105074</guid>

					<description><![CDATA[I BBCC pubblicano King Michael II and the Trial of the Axe: un disco eccessivo per scelta, un concept album tra teatro, synth analogici e rock barocco.]]></description>
		
		
		
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		<title>Annie Taylor: recensione Out of Scale</title>
		<link>https://www.rockshock.it/annie-taylor-recensione-out-of-scale/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Mon, 08 Jun 2026 04:41:05 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[grunge]]></category>
		<category><![CDATA[psichedelia]]></category>
		<category><![CDATA[rock]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=104923</guid>

					<description><![CDATA[Out of Scale degli Annie Taylor è il suono psych-grunge di una band che ha smesso di inseguire l'urgenza del debutto e ha imparato a dosarla.]]></description>
		
		
		
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		<title>Boards of Canada: recensione di Inferno</title>
		<link>https://www.rockshock.it/boards-of-canada-recensione-di-inferno/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Sat, 30 May 2026 04:41:31 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[ambient]]></category>
		<category><![CDATA[boards of canada]]></category>
		<category><![CDATA[elettronica]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=104906</guid>

					<description><![CDATA[Recensione di Inferno, il quinto album dei Boards of Canada uscito il 29 maggio 2026 per Warp: il ritorno del duo scozzese dopo tredici anni, tra influenze IDM, ambient e shoegaze.]]></description>
		
		
		
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		<title>The Noise Who Runs: recensione di Re: GenX</title>
		<link>https://www.rockshock.it/the-noise-who-runs-recensione-di-re-genx/</link>
		
		<dc:creator><![CDATA[Garofalo Massimo]]></dc:creator>
		<pubDate>Mon, 25 May 2026 05:38:02 +0000</pubDate>
				<category><![CDATA[Recensioni Cd]]></category>
		<category><![CDATA[alternative-electronic]]></category>
		<category><![CDATA[post-industrial]]></category>
		<guid isPermaLink="false">https://www.rockshock.it/?p=104856</guid>

					<description><![CDATA[The Noise Who Runs – Re: GenX: recensione del secondo album di Ian Pickering (ex Sneaker Pimps), dieci tracce di elettronica alternativa tagliente tra post-punk, trip-hop e critica politica. ]]></description>
		
		
		
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